US culturural impact in Iraq
There is much more.
Across the street from the tidy rows of tombstones in the British cemetery, mute testimony to the soldiers of an earlier occupation, Mustafa Muwaffaq bears witness to the quieter side of the United States' six-year-old presence in Iraq.
In wraparound sunglasses, shorts and shoes without socks, the burly 20-year-old student waxes eloquent about his love for heavy metal of all kinds: death, thrash, black. But none of it compares, he says, to the honky-tonk of Alan Jackson, whose tunes he strums on his acoustic guitar at night, pining for a life as far away as a passport will take him.
"You know, I wanna go to Texas and be a country boy," he said, as he stood in the sweltering shade of Baghdad's Academy of Fine Arts. "I wanna be a cowboy, and I wanna sing like one."
... From tattoos of Metallica to bellybutton piercings, from posters for a rap concert in Baghdad to stories parents tell their naughty children in Fallujah of the Americans coming to get them, the occupation has already left its mark.
There is the bellicose language of the checkpoint: "Go" and "Stop" (often rendered as "stob" in a language with no "p"), along with a string of American expletives that Iraqi children imitate with zeal. In parks along the Tigris River, they play "tafteesh," Arabic for inspection. Iraqi troops, sometimes indistinguishable from their U.S. counterparts, don the sunglasses considered effeminate in the time of Saddam Hussein.
Hopefully there are other cultural influences like the rule of law and not permitting corruption. The cultural impact can also act as a way to keep the ties to the US long after the troops go home. Perhaps Obama can even sell them some of his GM cars and trucks.